Read the scene
Begin with the text, circumstances, relationships, and the actor's immediate question.

About Richard
Richard Strauss brings the perspective of a working film and television actor to practical scene, audition, and character-development coaching.
Actor first
Richard has worked across film and television in character-driven supporting roles, learning how preparation, relationships, and specific behavior translate under production conditions.
That experience informs a direct coaching approach: understand the text, make playable choices, test them honestly, and keep what serves the scene.
View IMDb profileWorking experience
The coaching perspective comes from doing the work alongside directors, crews, and other actors—not from promising a shortcut around preparation.

Richard Strauss with Udo Kier on the set of Swan Song.

Richard Strauss with Jennifer Coolidge on the set of Swan Song.

Nia Vardalos, Richard Strauss, and Lisa Loeb at the Los Angeles premiere of Helicopter Mom.

Richard Strauss and Adrian Grenier in a scene from Affairs of State.

Richard Strauss with David Corenswet on the set of Affairs of State.

Richard Strauss and Thora Birch in a scene from Affairs of State.
The studio approach
Begin with the circumstances, relationships, and objective already present in the material. Add technique only where it helps make the work clearer, freer, and more repeatable.
Begin with the text, circumstances, relationships, and the actor's immediate question.
Identify what the character wants, what is at stake, and what changes moment to moment.
Try specific physical, vocal, and behavioral choices that serve the material.
Keep the choices that feel honest, clear, and usable in the next take.